I usually live and work in New York City. I like to tell stories, make art with other people, and laugh.
Recent design credits include: Behind the Mask (American Film Institute); Dad Rock (The Shed); The Baker's Wife (The Flea); Science Park (The Gym at Judson); Annapurna, Sanctuary City (Bloomsburg Theatre Ensemble); Natasha, Pierre & the Great Comet of 1812 (New Studio on Broadway, NYU); Zero Grasses: Ritual for the Losses (National Sawdust); Accidental Death of an Anarchist, Stupid Fucking Bird, Romeo and Juliet (NYU3 Festival); The Revolutionists, The Skin of our Teeth, As You Like It (C5 Festival); Set and Reset / Reset (Purchase College, Conservatory of Dance.) Associate design credits include work for: Metropolitan Opera, Norwegian National Opera and Ballet, Lincoln Center Theater, and numerous off-Broadway theaters.
Alumni of Purchase College's Conservatory of Theatre Arts.
Thanks for visiting.
- Kate
